Cuozzo Fleming by POST.
"The new identity is bold, iconic and bright, firmly rooted in the vibrant hero colour blue. The printed collateral is timeless in its design with a confident application and meticulous execution."
23.10.20
14.10.20
27.7.20
DOUG JOHN MILLER
Illustrations by Doug John Miller.
"Doug's drawings explore small narratives and experiment with colourful and highly detailed compositions of surreal and fantastical architecture."
5.7.20
NATIONAL AMBULANCE MENTAL HEALTH GROUP
National Ambulance Mental Health Group by Pentagram.
"When used on its own, the monogram references the harmony that’s needed between mind and body, which is the focus of the NAMHG. When repeated, it represents community and becomes a graphic element which can be used to visualise infographics, such as statistics about mental health."
"When used on its own, the monogram references the harmony that’s needed between mind and body, which is the focus of the NAMHG. When repeated, it represents community and becomes a graphic element which can be used to visualise infographics, such as statistics about mental health."
21.6.20
21.5.20
PRACTICAL ACTION
Practical Action by NB.
"We repositioned Practical Action as the ingenuity people, then created a visual identity that dramatises the power of small to change the big picture."
"We repositioned Practical Action as the ingenuity people, then created a visual identity that dramatises the power of small to change the big picture."
20.5.20
HOTEL TANGO
Hotel Tango by Young & Laramore.
"A complete rebranding that reflects the meticulous approach Travis Barnes, HT’s founder, learned in his time as a decorated Marine. It’s that mindset that he brings to all nine spirits Hotel Tango crafts—and why we say they’re 'Distilled with discipline'."
"A complete rebranding that reflects the meticulous approach Travis Barnes, HT’s founder, learned in his time as a decorated Marine. It’s that mindset that he brings to all nine spirits Hotel Tango crafts—and why we say they’re 'Distilled with discipline'."
27.4.20
HOBBES
Hobbes by Stephen Kelleher.
"By placing themselves at the intersection of design and emerging technologies, Hobbes combines animation with code to create client focused solutions, in effect becoming the bridge between these disciplines.
This bridge metaphor became the basis for their 'H' logo and the starting point for their visual identity."
"By placing themselves at the intersection of design and emerging technologies, Hobbes combines animation with code to create client focused solutions, in effect becoming the bridge between these disciplines.
This bridge metaphor became the basis for their 'H' logo and the starting point for their visual identity."
15.4.20
SYNDICAT GROTESQUE
Syndicat Grotesque by edition.studio.
"A contemporary sans serif inspired by New York’s hodgepodge visual culture. The streets of the city’s boroughs are a constant clash of colour, typography and language from all over the world, and the typeface’s four weights represent just that. The letterforms are designed to feel like they’ve been pulled from multiple grotesques to work together as one cohesive typeface."
(via The Brand Identity)
"A contemporary sans serif inspired by New York’s hodgepodge visual culture. The streets of the city’s boroughs are a constant clash of colour, typography and language from all over the world, and the typeface’s four weights represent just that. The letterforms are designed to feel like they’ve been pulled from multiple grotesques to work together as one cohesive typeface."
(via The Brand Identity)
29.3.20
GOOD GIRL TYPE
Good Girl Type by Marion Bisserier.
"Marion's final type design is not your regular idea of feminine representation. No curls and swirls beautifully choreographed across the page, but rather a typeface which "purposely occupies as much positive space as possible," a visual eyesore failing to go unnoticed. Innocently titled, Good Girl Type is anything but."
(via It's Nice That)
"Marion's final type design is not your regular idea of feminine representation. No curls and swirls beautifully choreographed across the page, but rather a typeface which "purposely occupies as much positive space as possible," a visual eyesore failing to go unnoticed. Innocently titled, Good Girl Type is anything but."
(via It's Nice That)
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